In a deeper inspirational sense, "falling red is not a heartless thing, but turning into spring mud to protect flowers" reflects a belief of sticking to the original heart and perseverance. No matter how the external environment changes, no matter what difficulties and obstacles we encounter, just as falling red is always concerned with the growth of flowers, we should also stick to our original beliefs and pursuits and not be shaken by the temporary wind and rain. On the long road of pursuing dreams, we may leave the familiar "branches" and bid farewell to the comfortable environment, but the initial intention of bringing beauty to the world and realizing our own value should be deeply rooted in our hearts like the instinct of turning red into spring mud, and become the source of power for our continuous progress and dedication. It encourages us to keep a firm belief in the face of the ups and downs of life, to move towards the established goals, to walk step by step with dedication and dedication, and to prove the toughness and value of life with persistent efforts.On the road of life, we often encounter setbacks and difficulties, just as flowers have experienced the withering of flowering period and become "red". Gong Zizhen's "Falling Red" was originally a symbol of the decline of life, but the poet gave it a completely different and inspirational interpretation. It inspires us that even in adversity, even if we fall from the original glamorous "branches" and fall into a seemingly down-and-out situation, we should not feel sorry for ourselves and sink passively. Just like falling red is not immersed in the fading sadness, but with a positive attitude, she sees the value that she can transform-turning into spring mud to nourish new flowers. This tells us that setbacks are not terrible. The key lies in whether we can change our perspective in the predicament, tap our new value, and turn the unfavorable situation into an opportunity to continue to help growth, help others and help society.
"Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:-The technique of expressing one's will by holding objects shows that the whole poem expresses one's aspirations and feelings through the concrete thing of "falling red", ostensibly describing the destination and value of falling red flowers, but in fact expressing one's grand ambition of being willing to contribute despite setbacks and eager to exert afterheat for the country and society, which makes the poem contain extremely rich and profound connotations in a short space and enhances the artistic appeal and ideological height of the poem.-Clever choice of images: the image of "falling red" in the poem, that is, falling flowers, is a dying thing, which is usually easy to remind people of the disappearance of beautiful things and the fall of life, with a sad and lonely color. However, the poet gave it a brand-new and positive meaning.
-Deep feelings: This poem is full of the poet's strong feelings. Gong Zizhen was in the late Qing Dynasty, social unrest, political corruption, his career was not smooth, and he resolutely resigned and left Beijing. In the poem, there are both reluctance and attachment to the court and country that they have dedicated for many years, just as the fallen flowers are reluctant to give up on the branches; He also expressed his determination to continue to cultivate talents for the country and contribute to social development through other means, such as using his own thoughts, knowledge and pens, although he left the officialdom. His patriotism and responsibility are all in it.Structural action level"Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:
Strategy guide 12-13
Strategy guide 12-13
Strategy guide
12-13
Strategy guide
12-13
Strategy guide 12-13